Name: BRIAN GLICK - CRUCIFIX MASTERCLASS
SKU: 06483
Availability: InStock

Descrição

Discover one of Brazilian Jiu-Jitsu’s most dominant—and often overlooked—positions with Brian Glick’s Crucifix Masterclass.

A direct student of legendary coach John Danaher, Brian breaks down the crucifix in a methodical, accessible system designed to transform this powerful position into a high-percentage part of your game.
Unlike many traditional control positions, the crucifix doesn’t rely on the core principles you may be used to—like chest-to-chest pressure or strong positional anchors
Instead, it leverages advanced, submission-based control points that create tremendous vulnerability in your opponent while giving you near-total dominance.
Whether you’re a beginner looking to expand your arsenal or a seasoned practitioner aiming to refine your upper body attacks, Brian Glick provides a structured, conceptual roadmap that makes the crucifix not just effective—but essential.

Course Content

Dedication	0:00 – 1:23
Intro to the Crucifix	1:23 – 5:38
Essential Skills – The Role of the Legs	5:38 – 15:34
The Skill of Pummeling Legs	15:34 – 23:11
Understanding Directionality	23:11 – (28:04)

Crucifix (Belly Up) Mechanics – Arm Control	0:00 – 11:28
Head Control	11:28 – 18:54
Strangle Mechanics	18:54 – 27:14
Ude Gatami with the Legs	27:14 – 33:41
Countering Defense – Switching Arms	33:41 – 43:58
Countering Defense – Converting to Top Kimura	43:58 – 50:48
Countering Defense – Reverse Omoplata	50:48 – (58:42)

Top Turtle Entries – Isolating the Arm	0:00 – 6:27
Seatbelt Roll	6:27 – 11:09
Back Roll	11:09 – 13:56
Finishes From the Top	13:56 – 22:41
Front Headlock Entries – High Crotch	22:41 – 28:33
Olympic Roll	28:33 – 33:31
Chest Lock: The Peakout	33:31 – 39:04
Chest Lock: The Peakout II	39:04 – 44:20
Guard Entries – Shoulder Drag Scoop Pass	44:20 – 51:41
Shoulder Drag Over/Under	51:41 – 57:01
Arm Deep Half	57:01 – 1:06:13
Guard Passing Entries – Toreando Elbow Prop	1:06:13 – 1:11:52
Scoop Pass and Elbow Prop	1:11:52 – 1:17:14
T-Kimura	1:17:14 – 1:24:59
Outro	1:24:59 – (1:36:06)